Then Again
Since she designed her own trendsetting wardrobe for Woody Allen's quintessential neurotic-romantic 1977 comedy, Annie Hall, Diane Keaton's style has been as integral to her star appeal as her talent. Maybe even more so. There's rarely been a celebrity more ¬consistent in her self-presentation over the decades: Keaton's fashion-forward headgear and gloves and formfitting yet body-covering layers are cloth representations of her uniquely skittery, feminine speech patterns, of the private yet unorthodox personal life she has chosen (eschewing wifehood and baby making, then adopting a daughter and son in her 50s), and even of the flitting nature of her artistic interests in photography, filmmaking, and house restoration
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